Georg Flegel
1566-1638 Georg Flegel Location German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.
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Georg Flegel Vorratskammer bei Kerzenlicht oil painting


Vorratskammer bei Kerzenlicht
circa 1630-1635 Medium oil on canvas Dimensions 72.5 x 60 cm (28.5 x 23.6 in) cyf
Painting ID::  95463 		Georg Flegel
Vorratskammer bei Kerzenlicht
circa 1630-1635 Medium oil on canvas Dimensions 72.5 x 60 cm (28.5 x 23.6 in) cyf
   
   
     
Georg Flegel Pipes and tobacco on a pewter plate oil painting


Pipes and tobacco on a pewter plate
17th century Medium oil on panel Dimensions 52.1 X 64.1 cm cyf
Painting ID::  96740 		Georg Flegel
Pipes and tobacco on a pewter plate
17th century Medium oil on panel Dimensions 52.1 X 64.1 cm cyf
   
   
     
Georg Flegel Zitronen in einer Schale oil painting


Zitronen in einer Schale
first half of 17th century? Medium oil on panel Dimensions 49.2 X 63.5 cm cyf
Painting ID::  96741 		Georg Flegel
Zitronen in einer Schale
first half of 17th century? Medium oil on panel Dimensions 49.2 X 63.5 cm cyf
   
   
     
Georg Flegel Peaches oil painting


Peaches
circa 1630(1630) Medium oil on panel cyf
Painting ID::  97096 		Georg Flegel
Peaches
circa 1630(1630) Medium oil on panel cyf
   
   
     
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     Georg Flegel
     1566-1638 Georg Flegel Location German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.

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